ACTING IN COLUMBUS is a professional training studio in Columbus, Ohio which offers small and practical acting classes in a supportive yet challenging environment.
How to Compile an Actor Demo Reel
So you've done some regional film and television work. You've may have even stared in your own commercial or have been featured on a sitcom. And now, your various production reels are starting grow and grow. So, what do you do with all of this work you've compiled throughout your budding career?
An actor's demo reel is video or audio presentation that's used to show off your acting skills to an individual or company you'd like to work with. It's full of clips of your past work. Demo reels are sometimes called demo tapes or show reels. They're a crucial marketing tool for actors, so it's important to learn how to create an effective actor's demo reel.
This demo reel is all about YOU, and not about the other actors. Sometimes you can't help but have a few other actors on your reel, and this is okay - but only in extreme moderation. This may take some editing to do so, however, only choose the works that YOU are featured in. You can include footage from ACTUAL television shows, film or commercials. If you have done an industrial video, you may include a short clip from that if you feel that your performance is beneficial to showing your range as an actor. If you don't have any professional production footage, start working harder. Because not only do you want to build up your resume, but you also want to build up your demo reel.
Include your best material in the beginning. More than likely whoever is watching your demo reel has about a hundred other demo reels to view, thus the outcome that they will watch the entire video is extremely slim. This is why you MUST put your strongest pieces of footage first. Pick the scenes that showcase your raw talent as an actor in the beginning. After these scenes, then put the secondary scenes in. But this is the most important step, because if you put a "so-so" scene first, the likelihood of having the agent or casting director view any further is very slim. Most agents, producers or casting directors know about an actor's talent within the first few moments of viewing a demo reel. So ensure that that the first thing they see of you is perfect and professional.
Don't use any stage performances, unless you're making the demo reel for a theatrical agent. This is very important. The video quality of most theatrical performances is extremely poor. This will make your demo reel look amateurish and is both an annoyance and an inconvenience for the agent/casting director that is viewing your reel. Keep all of your material of the same style. If you are sending your demo reel to a theatrical agent or casting director, than it is appropriate to only include your stage performances, but if not, steer clear from them.
Contact the directors of the various projects you've worked on. Get them to send you clips of the sections where your work appeared. Sort through the clips you get from directors. Select only the absolute best. Be brutally hard as you eliminate some clips. You need to make the best impression possible on your demo tape, and one lousy shot could ruin your chances of getting the job. Make your demo reel the length of an average television commercial. An actor's demo reel should only be 30 seconds long. When you make the reel, see yourself as the producer of a TV commercial that promotes you. If you must make your demo reel longer, never exceed 4 or 5 minutes. Hire someone to compile the best clips onto a professional DVD. Get a digital file of it so that you have the option to post online on your website. Here is a sample Demo Reel by Sean Velie:
Acting in Columbus is a professional training studio in Columbus, Ohio which offers small and practical acting classes in a supportive yet challenging environment. We offer classes for adults in Scene Study, On-Camera, Improv, Acting for Film and Master classes. We're also offering an On-Camera Workshop for young performers and their parents. With our small class sizes; you receive personal attention from our faculty - all working, professional actors and directors.
WHY ACTING IN COLUMBUS?
Jane M. has a supporting role in 'SMART PEOPLE' opposite Dennis Quaid. Click on this photo to see the trailer
Prospective students frequently ask us what differentiates us from other acting classes. We answer that question by sharing what kind of work our students are booking. Your acting class will consist of no more than 12 students who will discover together that acting is probably the most challenging and thrilling thing they've ever done.
Mark is currently appearing in a National Tire Commercial
ACTING FOR KIDS: TV, FILM and COMMERCIALS Summer Intensive for Teens (Ages 12-16)
Photo: Acting in Columbus student Hanani Taylor. After much preparation and a round of recent auditions in LA (including Disney and Nickelodeon) Hanani is moving to LA this summer. Click here to read the FULL STORY
Monday-Friday June 22-26, 2009 10:00am-12:00pm $125
This on-camera intensive is designed to enable the actor to handle commercial auditions, film and TV sides, scenes, and monologues for film. Working with the camera, actors will break down scenes to discover the humor, emotional moments, pacing, beats and more. The class will also explore the fundamentals of film and commercial auditioning, including slating and how to interview effectively, while exploring the entire audition scenario.
The class will focus on strengthening performances and working with confidence in front of the camera during cold readings as well as prepared sides. All exercises and scenes are video-taped with playback critiques an essential part of class time. All students will receive a DVD DEMO REEL of their work at the conclusion of this workshop.
Friends and family members are invited to attend the WRAP PARTY on Friday June 26, 2009 12pm for the screening of Student's DEMO REELS and Parents will receive information on how to navigate "the business" and manage their young performers' careers. This class is limited to 14 students. As of June 2, 2009 there are seven (7) slots available.
Former ACTING IN COLUMBUS students Remy Brommer and Grace Ameter were cast in supporting roles in the film SPEAK starring Kristen Stewart after attending the Acting for Film Intensive for Teens.
TERMS YOU SHOULD KNOW
Audition. A formally arranged session (usually by appointment through an agent) for an actor to display his or her talents when seeking a role in an upcoming production of a play, film or television project.
Back to One! The verbal cue for performers to return to the mark where they started the scene.
Blocking. Working out the physical movements of performers and/or camera in a scene.
Boom. The apparatus that holds the microphone above the actor. Also, a camera direction when the camera is mounted on a crane as in "boom up," to raise the camera.
Breakdown. A listing of all roles in a production, from largest to smallest, with a description of each character including, for the smaller roles, how many scenes and lines the character has.
Best Boy. The assistant to the Chief Electrician, or Head Gaffer.Blocking. The actual physical movements by performers in any scene. Also can refer to the movements of the camera.
Booking. A firm commitment to a performer to do a specific job.
Blue Screen. Shooting in a studio against a large blue or green backdrop, which allows a background to be superimposed later on the final image.
Call. The exact time at which an actor or crew member is to report to a set.
Callback. A second audition where an actor is either presented to the producer and director or, in the case of commercials, is filmed on tape again for final consideration.
Camera Rehearsal. Also called a "walk-through," this is where actors will walk through their blocking so that the camera can rehearse its moves.
Cold Reading. Delivering a speech or acting a scene at an audition without having read it beforehand.
Continuity. A very important part of film making, this is the process of ensuring that the visual aspects of a production are consistent from one take to the next. The CONTINUITY person often takes Polaroid snapshots of principals and featured extras in order to check later for inconsistencies.
Honey Wagon. The trailer or RV that contains dressing rooms and bathrooms for actors.
Monologue. A speech used by an actor to demonstrate his or her ability at an audition.
Sides. Designated scenes pulled out of an entire script to be used for auditions.
Slate. The act of stating your name and agency on a commercial audition while being videotaped.
Talent. A term that refers to all ABOVE-THE-LINE personnel, but specifically to the actors. Sometimes this term is used by agents and casting directors to mean "actors."
WEEKEND ACTING BOOT CAMP
Friday/Saturday/Sunday August 21-23, 2009 $275
Weekend Acting Boot Camp is designed for the beginner who want intensive training over a short period of time or the rusty actor who needs to get back on top of their game. Boot Camp will give you a strong foundation in acting techniques as well as a firm grasp of the nuts and bolts of scene work and audition skills.
Your Boot Camp will consist of no more than eight students who will discover together that acting is probably the most challenging and thrilling thing they have ever done. You will learn that if indeed this is for you and you stick with it, you will not only acquire a skill, but you will do something quite extraordinary with your life.
HOW TO GET AN AGENT.
WHAT IS AN AGENT?
An agent is an actor's representative. Once an agent Represents you, you are his or her "client." They will submit you for roles and try to get you seen by casting directors. They will take 10% union - 20 % non-union and print work, of your gross pay once you book a job. They will negotiate your fees and your contracts, and are your greatest professional advocate.Agents represent lots and lots of wonderful actors. They're busy, and they may not even be looking for new clients. Getting any agent is hard enough, so how do you go about getting a great one?
PHOTO: LEANNE P.
Click on Leanne's photo to see her national PREGO commercial
The most basic way to approach agents or managers in your entertainment career is of course the mailed-in submission, which consists of a cover letter, résumé, and headshot(s). You may also include a reel, if you have one. When it comes to assembling your packet, it's generally best to keep things simple. After all, agents and managers have seen every gimmick in the book - from food to party favors - and these gimmicks usually end up in the trash. But if you're in a play or showcase that spotlights your talent particularly well, invite reps to see you.
PHOTO: DREW H.
Click on Drew's photo to see his CORNHOLE: THE MOVIE Trailer
Acting in Columbus recommends you should only work with a "FRANCHISED" Talent Agent. What are SAG and AFTRA affiliated agents? Talent agents that are recognized by the acting unions because they follow the rules and regulations and code of conduct set forth by the acting guilds are called "franchised talent agents".
PHOTO: TAMARA A.
Tamara is currently appearing in a JOB LEADERS Commercial
How important are franchised agents? Very! A talent agent can be an actor’s greatest ally, strongest supporter and best business partner. Franchised agents place the interests of their actor clients above their own. They do more than just seek out work opportunities for their clients. They also make sure actors are paid a decent wage, assist the actor negotiate and sign union contracts and help make the workplace a safe environment. Choosing a franchised talent agent is one of the most important choices a performer can ever make.
Click on this link to see Jason's SAFE AUTO Commercial
PLAYWRITING WORKSHOP WITH KATHERINE BURKMAN
Drama in a Day
Using process drama, acting will be approached through improvisation and exercises to culminate in writing a play together, all in one day! Participants will create a site-specific work based on the beautiful grounds of the Sanctuary. It's an all day affair in a gorgeous setting, the "acting" exercises are process drama, so unthreatening, and we will write a play on that day, or more, depending on the size of the group. Space is limited, so do sign up early. No acting or even writing experience needed. Email me with questions, Katherine Burkman: burkman.2@osu.edu.
Adults and serious teens are invited. Saturday, June 27, 10:00-4:00pm $125